Skip to content
Home
Filmmakers
Topics
Filmmakers
Jennifer Baichwal
Manfred Becker
Michel Brault
Nick Broomfield
Joan Churchill
Malcolm Clarke
Eduardo Coutinho
Paul Cowan
Jean-Xavier de Lestrade
Molly Dineen
Jennifer Fox
Denis Gheerbrant
Serge Giguère
Patricio Guzmán
Werner Herzog
Scott Hicks
Heddy Honigmann
Sylvain L'Espérance
Jean-Daniel Lafond
Jean-Pierre Lledo
Kim Longinotto
Kevin Macdonald
Catherine Martin
Albert Maysles
Errol Morris
Stan Neumann
Alanis Obomsawin
Laura Poitras
Emmanuel Priou
Velcrow Ripper
Hubert Sauper
Rakesh Sharma
Claire Simon
Barry Stevens
Sabiha Sumar
Nettie Wild
Peter Wintonick
Jessica Yu
Topics
Getting Started
Becoming a Filmmaker
Why Make Documentaries
Exploring the Genre
What is Documentary?
The Role of Social Documentary
Cinéma-Verité: The Fly on the Wall
Influences
Planning & Preparation
Ideas & Inspiration
Research
Structure & Approach
Relationships
Casting From Real Life
Why People Talk to Cameras
Director & Subject Relationship
The Art of the Interview
Truth, Perspective & Ethics
Truth
Perspective
Ethical Issues
The Shoot
Getting Access
Getting the Shots
Handling Risk
Adapting to Circumstances
The Power of Images
Recreating Reality
Sound
Designing Sound
Music
Narration
Editing
Director and Editor: The Relationship
Working with the Footage
Final Thoughts & Anecdotes
Your browser does not support HTML5 audio.
Nettie Wild
Narration as Haiku
Topic:
Sound / Narration
About
Nettie Wild
0:00
/
0:00
Playlist:
Nettie Wild
First Day on the Job
“You’ve become something like the furniture”
Assessing Risk in Chiapas
A Rustling of Leaves: A Harsh Lesson about Risk
A Place Called Chiapas: Pushing Sound into the Abstract
Embracing Narration
Narration as Haiku